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Sunday, February 5, 2012

TABLA, A Popular Percussion Instrument Of India

With the advent of "Khyal" in north Indian music Tabla became an essential part of it. During Mughal period it came on the classical stage. Ustad Sidhar Khan is believed to be the first exponent of this instrument. Attractive face of the compositions and sweetness in sounds made Tabla a very popular instrument..The tradition of  Tabla is prevalent in the form of "GURU-SHISHYA PARAMPARA" for centuries. The special feature of this instrument is the sounds are produced with the help of fingers. Very rarely the arms are raised to create a syllable. From right fingers the sounds (Varna) produced mainly are 'Na', 'Tu', 'Tat', 'Ta', 'Tit' etc. On the left drum the common Varnas are 'Ghe' and  'Kat'. The combination of both right and left is very attractive with Varnas like 'Dha', Dhin', 'Tin', 'Tirkit' and much more!

 Written by Nandan Herlekar

TAAL

In Indian way Taal is an expression or the medium of measuring time in music.
 It is in abstract form and is felt only when "THEKA" of a Taal is actually played on with the help of a percussion.
 In Sanskrit texts Taal is described as "TAALAH KAAL KRIYAMAANAM".
In ordinary sense Taal is rhythm. 
A study of Taal in Indian music is combined with the grammatical values of the language. In short Taal matches the meter or a "VRITTA" in poetry. Meter in a poem is maintained till the ending line. It is an established rule and is a natural process of grammar.
 While a poem is sung the meter becomes audible through percussion. 
Actual time taken while singing one line is valued with "LAGHU" or "GURU MATRA". 
In some cases "AKSHAR GANA" also is taken into account. 
The stress given on the first "VARNA" is followed by another through out the song in rhythmic continuation.
Everyone loves to tap foot on the rhythmic cycle. 
It is a natural process seen everywhere. 
Recitation of a poem does not necessarily need "Tone" (SWAR in Indian way) but rhythm is always needed for true impression. Importance of "TAAL" lies here.


Written by Nandan Herlekar